![]() ![]() ![]() Wedding Cake Murder (A Hannah Swensen Mystery #19) (Mass Market):īanana Cream Pie Murder (A Hannah Swensen Mystery #21) (Mass Market): ![]() Red Velvet Cupcake Murder (A Hannah Swensen Mystery #16) (Mass Market):īlackberry Pie Murder (A Hannah Swensen Mystery #17) (Mass Market):ĭouble Fudge Brownie Murder (A Hannah Swensen Mystery #18) (Mass Market): Plum Pudding Murder (A Hannah Swensen Mystery #12) (Paperback):Īpple Turnover Murder (A Hannah Swensen Mystery #13) (Paperback):ĭevil's Food Cake Murder (A Hannah Swensen Mystery #14) (Paperback):Ĭinnamon Roll Murder (A Hannah Swensen Mystery #15) (Paperback): Key Lime Pie Murder (A Hannah Swensen Mystery #9) (Paperback):Ĭarrot Cake Murder (A Hannah Swensen Mystery #10) (Paperback):Ĭream Puff Murder (A Hannah Swensen Mystery #11) (Paperback): Peach Cobbler Murder (A Hannah Swensen Mystery #7) (Paperback):Ĭherry Cheesecake Murder (A Hannah Swensen Mystery #8) (Paperback): Lemon Meringue Pie Murder (A Hannah Swensen Mystery #4) (Paperback):įudge Cupcake Murder (A Hannah Swensen Mystery #5) (Paperback): Strawberry Shortcake Murder: A Hannah Swensen Mystery (Mass Market):īlueberry Muffin Murder (A Hannah Swensen Mystery #3) (Mass Market): This is book number 6 in the A Hannah Swensen Mystery series.Ĭhocolate Chip Cookie Murder (A Hannah Swensen Mystery #1) (Paperback): ![]()
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![]() ![]() ![]() Traces of red pigment and gilding are visible on the boss, which indicates that it would have been a highly decorative feature of the ceiling design. If original these nails may have been used to place the boss in situ. Two large nails protrude from inside the interior of the boss, and one has been bent to form a type of hook. The hollow boss would have been carved to fit onto a jamb of ceiling masonary. The crevices of the exterior surface have been gauged, cut and smoothed with a variety of tools, including gauges and chisels, shaping the decorative flow of the lion’s mane, tail and foliage around the outer circumference of the boss. It has been hollowed out, the interior surface showing concentric gouges, which are rough and deep. The boss has been carved in the solid, in high relief. The lion is shown gnawing on what could be either a bone, the thick stem of a leaf or the end of its own tail, which it grasps between its claws. Elements of the carving are stylistically close to stiff-leaf foliage, and as a whole the boss conveys animal and plant-like elements which combine to convey both the sinuosity of the animal and the swirl of enveloping foliage. The mane and tail of the lion have been carved so as to form the circumference of the boss. Round oak ceiling boss, dome shaped and carved with the head of a snarling lion. ![]() ![]() ![]() I first read this book many years ago when I was traveling in Vietnam and stayed at a hotel that belonged to a German-Vietnamese couple. In order to break the spell, she must go on a life-threatening, perilous journey. It now falls upon Sorcha, the only sibling to escape, to fulfil a seemingly impossible task to save her brothers. But their sheltered, peaceful life comes to an abrupt end when their father marries Lady Oonagh, a powerful witch that puts a curse on the family. Young Sorcha, the only daughter of Lord Colum of Sevenwaters, grows up far from the battlefields together with her six older brothers: Liam, Diarmid, Cormack, Conor, Finbar and Padriac. Set in ancient Ireland, “Daughter of the Forest” unfolds in the 9th century when Celtic chieftains and lords must defend their land against the onslaught of the British. A historical fantasy novel that is loosely based on the legend of the “Children of Lir” and the fairy tale “The Six Swans.” It’s the first book in Juliet Marillier’s Sevenwaters series. ![]() |